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Plesni Teater Ljubljana- Prijateljeva 2a, 1000 Ljubljana
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Kristina Rozman
UNTIL THE DAY AFTER TOMORROW
* TAILORING TIME *
a dance debut
Authorship, Choreography and Performance: KRISTINA ROZMAN
Dramaturgy and Mentorship: ANDREJA KOPAČ
Original Music: EDUARDO RAON
Lighting Design: GREGOR KUHAR
Costume Design: IZTOK HRGA
Producer: ŽIVA BRECELJ
Produced by: PLESNI TEATER LJUBLJANA
Co-produced by: VITKAR zavod
Thanks to: Branko Potočan, Enya Belak, Tajda Podobnik
In accordance with the decrees of the Government of the Republic of Slovenia, participation in cultural events is allowed to people with a negative test for Covid-19, vaccinated or convalescent people (PCT condition).
The programme of Plesni Teater Ljubljana is subsidized by the Ministry of Culture RS and Municipality of Ljubljana, Department for Culture
About the performance
An era that requires a permanent mutation of everyday life and a constant adaptation to the changing reality stinks of sudden and slow deaths. Neo-capitalism, as the ultimate religion promising in numerable tax heavens to a few hundred individuals, persistently denies all other living beings on the planet the colours of nature and its wonders.
I am. Time immemorial, the horizon of the end. Fear and a new commitment. Like a schizophrenic transparent canvas through which demands are sprayed and guilts deposited. Like a new thought and a new body, marked by an artificial atmosphere. And at the same time, as a consciousness that recognizes itself; but not as a name, but as a simultaneity of holy anger and wild tenderness. I am the body of the Earth.
The body, which has always been animal, is inhabited by chimeras. Except today, they live under the electric sun, which does not emit any colours. Slowing down through simplicity and loss of diversity – is happening in Yellow. In the middle of the end, I pay homage to everything that is slowly disappearing, to the mighty life of the future.
The dance performance Until the Day After Tomorrow is based on the conceptual idea of the project with the working title Tailoring Time.
About the author
Kristina Rozman is an established dancer, dance creator and dance pedagogue. Her dance research and training includes ten years of working in the Bitnamuun collective (Table for 4, Motions to Promised Lands, …loop…, Step, Fearless, Timing, Heroines), many years of collaboration in creative processes with Jana Menger (Theatre, In the Process, The Rite of Spring: Square, Load Meters), Branko Potočan (Fourklor member since 2015), collaboration with Matjaž Farič (Sijaj, Solo for Two, Morality Is By Itself, Žepi polni zvezd, Prijatelj postoj in poglej, Circus to the Moon, He doesn’t have a boy’s cap, Rusty trumpets), Tina Dobaj and Sinja Ožbolt, Andreja Rauch Podrzavnik, Gregor Kamnikar, Matjaž Pograjc, and Claudine Lauer Peny... Recently, she has been collaborating intensively with Ajda Tomazin in the field of interactive dance performances for children (From Droplets to the Ocean (Golden Stick Award 2019, international award Good Tree 2019), Čigumitvist, Iceberg the Giant). In 2017, Kristina received the Meta Vidmar Silver Badge, and has been teaching younger and older children for many years, creating contemporary dance choreographies, which have been awarded gold and silver state awards.