Mesto žensk: Na tleh
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MESTO ŽENSK, DRUŠTVO ZA PROMOCIJO ŽENSK V KULTURI- Kersnikova ulica 4, 1000 Ljubljana
Na tleh je odrsko delo ustvarjalk, sodelavk in dolgoletnih prijateljic Alenke Marinič in Maje Dekleva Lapajne. Je zemeljska koncertna predstava, ki na oseben in humoren način predeluje teme prekarstva, feminizma, dela, materinstva in bivanja v času poznega kapitalizma. Je iskriv glasbeno-gledališki dogodek, ki popisuje stanje in izreka očitno, bolj kot rešitve pušča odprt prostor za skupnostno vpraševanje, ter išče igrivost v še tako temačnih in težkih časih.
Ustvarjalki se preko glasbeno-gledališkega materiala poigravata z različnimi temami, ki jih ponuja besedna zveza “na tleh”. Preko prispodobe tal se dotikata tem izčrpanosti, obupa in brezizhodnosti, obležanja na tleh v času brutalnega in stopnjujočega kapitalizma, podnebnih sprememb, vele moči korporacij in rezov na področju socialnih ugodnosti. Po drugi strani pa tla razumeta tudi kot prizemljenost in oporo, na kateri lahko trdno stojimo in nam daje možnost odriva in posledično upora. Nenazadnje so tla tudi možnost novega življenja, zemlja, iz katere klijejo nove zamisli in prostori.
Na tleh je drugi del trilogije uprizoritvenih umetnic Maje Dekleva Lapajne in Alenke Marinič. Leta 2017 sta vstopili v predstavo in glasbeni album Pod vodo in kmalu zatem zasnovali trilogijo skupnega ustvarjanja: Pod vodo, Na tleh, V zraku. Sanjata tudi o epilogu Pod zemljo, ki ga morebiti izvede samo še ena od njiju ali pa se zgodi brez njune fizične prisotnosti na tem svetu.
“On the ground” is a stage creation of two artists, colleagues, and friends of many years, Alenka Marinič and Maja Dekleva Lapajne. It is a down to earth concert theatre piece that deals with the themes of precarious work, feminism, motherhood, and housing, in late capitalism. It is a witty music and theatre event that records the present and states the obvious, makes room for collective questioning rather than imposing solutions, and that looks for playfulness even in the darkest and toughest of times.
Using musical and theatrical materials, the creators explore different topics by playing around with the several meanings of the title (which literally means “on the ground” in the original). Through the metaphor of the ground, they touch upon the themes of exhaustion, despair, and hopelessness. Being on the ground as in being knocked down in the era of a brutal and intensifying capitalism, climate change, impossibly powerful corporations, and cuts in the field of social benefits. However, they also understand the ground as a supportive place where we are grounded, where we can firmly stand, and from where we can leap to rebel. Finally, the ground also symbolises the possibility of new life, the soil from which fresh ideas and places can sprout.
“On the ground” is the second part of a trilogy by Maja Dekleva Lapanje and Alenka Marinič. In 2017, they launched into the performance and music album “Underwater” (Pod vodo) which they soon followed up with the collaborative trilogy comprised of “Underwater,” “On the ground”, and “In the Air” (V zraku). They also dream of creating an epilogue titled “Underground” (Pod zemljo), to be carried out by only one of them or even without the physical presence of either in this world.